Posts Tagged ‘james christopher sheppard’


Written by James Christopher Sheppard

The original Pop Idol returns, Will Young releases his fifth studio album, Echoes, at the end of August. Young hasn’t made big waves since his second album Friday’s Child when it reached five times platinum status and provided him with the massive single ‘Leave Right Now’ and ‘Your Game’. However, all of his album releases have gone Top Ten in the UK and been certified platinum. The openly gay popstar clearly has a devoted and loyal fan base, but can Echoes propel him back to the success of his early days? The entire album is produced by electronic and synthpop producer Richard X, so the collection should be more attention grabbing than Young’s last rather unmemorable effort, Let It Go.

 

‘Jealousy’

First single, ‘Jealousy’, has already created some excitement amongst the Young fan-base, perhaps due to the upbeat feel of the song. It’s a simple, breezy, emotional tinged synth pop with an 80s feel. The song does have a certain charm, but is unlikely to have the masses yearning to hear it over and over again.

5/10

 

‘Come On’

The tempo and mood is accelerated on ‘Come On’, combining the synth sound with an almost Florence and the Machine ‘Rabbit Heart (Raise it Up)’ drum beat with an element of ‘Maps’ by the Yeah Yeah Yeah’s. While the song certainly shares some similarities with the aforementioned songs, ‘Game On’ feels modern, radio friendly and certainly more addictive than ‘Jealousy’.

8/10

 

‘Runaway’

Sister track to ‘Jealousy’, ‘Runaway’ is breezy with mellow 80s synths circulating around Young sticking to his higher register. This is pretty catchy, with a hypnotic melody.

6/10

 

‘Lie Next to Me’

It’s ballad time and ‘Lie Next to Me’ will make Will Young fans happy enough. It’s quite dream-like, with Young relying on his voice to carry the song. The production is almost like a boy band Christmas single from the late 90s or early 00s. The emotion comes across in Young’s vocal, but the lyrics are almost too simple to really evoke an emotional reaction. Some people will absolutely love it, some may not. I’m somewhere in the middle.

5/10

 

‘Safe From Harm’

Almost Scissor Sister sounding, ‘Safe From Harm’ has a slightly darker element to it than the first four tracks. The synths are complimented by a simple piano played melody and Young uses his voice more variably, which is a breath of fresh air at this point.

7/10

 

‘Good Things’

Will seems to have jumped eras and gone from the 80s into the mid 90s. ‘Good Things’ sounds inspired by George Michael’s classic hit ‘Fastlove’, which knowing his audience is possibly a stroke of genius. A pretty decent example of adult pop, I can already imagine my Mum listening to this on repeat.

8/10

 

‘Happy Now’

The first song to not rely on synth-pop is ‘Happy Now’. Usually I listen to a song while I write about it… I have to say I listened to the whole of this track and had only written one sentence. What can I say about ‘Happy Now’? It’s a pretty slow to mid-tempo song about Will singing about being happy now. The instrumentation is quite refreshing at this point and Will sounds more comfortable here than on some other points on the album, but it is a little dull.

4/10

 

‘Hearts on Fire’

Another tempo change, ‘Hearts on Fire’ is an understated dance number that I can imagine being played in Soho’s coolest bars. The melody is darker than most of the album and the whole song has a certain dangerous and intriguing sexuality about it.

8/10

 

‘Personal Thunder’

Another dark, brooding number, ‘Personal Thunder’ cements Young’s position as the current answer to being what George Michael was during his Older period. The emotion behind ‘Thunder’ is enchanting.

8/10

 

‘Losing Myself’

This is possibly the most 80s sounding track on the album to this point. It could almost be a hit factory produced mid-tempo ballad. It’s not bad.

6/10

 

‘Silent Valentine’

Featuring the most unique and original production on the collection, ‘Silent Valentine’ is transformed from just another synth-heavy electronic slow number, to a gradual captivating track that is one of the most memorable featured here.

8/10

 

‘I Just Want a Lover’

Considering this is almost entirely an electronic album, there are very few cub-worthy moments, but this is definitely one of them. Appealing to a more mature ear, and perhaps a crowd at a swanky cocktail bar rather than your local Oceana club, ‘I Just Want a Lover’ picks up where ‘Good Things’ left off. ‘I just want a lover, nothing that is complicated. I don’t have to know you, we don’t have to talk about it’ Young sings as the song closes. Could this be Will’s sexiest moment yet?

8/10

Read the full review at Eyewear

 


Charlie Simpson’s Young Pilgrim

Reviewed by James Christopher Sheppard

Charlie Simpson is a name many will know. Some from his days as a third of teen bopping band Busted and some will know him as front man of alternative rock band Fightstar. Either way, Simpson has been known since 2002 and has been a part of five studio albums. At the age of 26, Charlie is releasing his first full-length solo release and it sounds pretty distanced from anything the singer/songwriter has been involved in before.
‘Down Down Down’
First single from the album is a good indication of what is to come. The song is entirely acoustic driven, with thick as treacle vocals, laden with emotional depth. The folk-rock ballad is stacked with multi-layered harmonies and builds to a gentle climax.
10/10
‘Parachutes’
‘Parachutes’, also the second single, picks up the pace and builds on what ‘Down, Down’ has already established. This is possibly the most radio-friendly and mature that Simpson has ever sounded. Brilliant.
10/10
‘All at Once’
‘All at Once’ at first entices with it’s toe tapping beats, but the sound soon turns to a sorrow filled as the song of heartbreak progresses. Simpson’s vocals sound confident and crystal clear, with the song completely utilising his unique tones.
9/10
‘Thorns’
Gentle, with a subtlety that draws you right in to the melodic dreamy higher tones of vocal harmony going on in the background, ‘Thorns’ is a careful ballad. The softer verses against the more exuberant choruses work wonders here.
9/10
‘Cemetery’
The fifth track shifts the memento into a new direction. ‘Cemetery’ is a combination of pop-rock-folk, which makes for a charming reminiscent song and one of absolute authenticity. Simpson’s voice is pushed to the limit, experimenting with his higher range and occasionally showing moments of strain, which surprisingly, adds to the song.
9/10
‘Hold On’
The most mellow moment of the album so far, ‘Hold On’, is lead by multiple layers of Simpson’s harmonies against a backdrop of strings, arranged by the renowned string arranger, Audrey Riley. A well crafted smooth ballad.
9/10
‘I Need a Friend Tonight’
The second string lead track, with assistance from Riley, is simple and melodic. ‘Friend’ is mid-tempo, soft and changes the mood of the album somewhat, as Simpson and the song both remain quite delicate and fragile. It’s hard to decipher whether ‘Friend’ is Simpson claiming he has found or is looking for religion, or if he is claiming he is lost and still can’t find his way home. I’ll let you decide, but it’s a pleasant song all the same.
7/10
‘Suburbs’
The tempo picks up a little with ‘Suburbs’, but the song in all it’s simplicity does little to further what is already great about Young Pilgrim. ‘I need you now, I need you now’ Simpson repeats. It’s possibly the least remarkable song on the album, but it still is not bad.
6/10
‘Sundown’
The temp change was only temporary as we are back down to the balladry of ‘Hold On’. ‘My heart is yearning for you dear’- this strikingly scarce track is one of the most powerful on Young Pilgrim in terms of pure passion.
9/10
Read the rest of the review at Eyewear

James Christopher Sheppard divulges the tracks he has on repeat.

 

Korn ‘Get Up’ (featuring Skrillex)

At school in the late 90’s, if you liked metal, Korn were a pretty good starting point. Now, seventeen years since the debut, Korn release their freshest single in years. I first heard ‘Get Up’ on kerrang radio and had to double check who it was. The collaboration with master of dubstep, Skrillex, throws Korn’s aggressive thrashing metal sound into brand new industrial waters. This is the best song Korn have released since 2002’s ‘Here to Stay’. Fucking incredible. Watch the video for ‘Get Up’ below.

 

Melanie C ‘Rock Me’

Rock Spice Melanie C finally returns with the first release from her long-awaited fifth solo album, The Sea. ‘Rock Me’ is vibrant, simple, catchy, up-beat and addictive. With her own very loyal following, and sales of over ten million albums worldwide, sporty spice still has a great deal to offer. Watch the video for ‘Rock Me’ below.

 

Within Temptation ‘Sinead’

New single from Within Temptation’s flawless album The Unforgiving is ‘Sindead’- the beat-heavy, industrial tinged dance/symphonic metal track. Yes, ‘Sinead’ is the most cross-over single Within Temptation have released and it’s gaining all sorts of attention. For the first time ever, the band have had official remixes commissioned from the likes of German hard dance band Scooter. The most surprising thing about the remixes is that they actually work. Check out the ‘VNV Nation Club Mix’ video below.

 

Charlie Simpson ‘Parachute’

Fightstar front man Charlie Simpson, will unleash his debut solo album in August and ‘Parachutes’ is the second single, following the mellow ‘Down Down Down’. ‘Parachutes’ isn’t a million miles from the sound of Fightstar, but is enough of a departure to be only Simpson’s. The song is softer and relies more on acoustic sounds to build song to it’s climax. Vulnerable and powerful at the same time. I am truly impressed by the quality of this.

 

Amy Winehouse ‘Back to Black’

For me, ‘Back to Black’ is the ultimate Amy Winehouse song. Following her tragic passing on Saturday 23rd July, this song seems more painful and sadder than ever. Winehouse was a visibly very troubled soul, who sadly lost her battle with depression and addiction. ‘Back to Black’ will stand testament to what incredible art she created, if only for a short time. You will be forever remembered, Amy.

Leave your thoughts about these tracks below. Feel free to send me links to what you’re listening to or would like to see included next time!

Read the full article at Eyewear

 

 


Written by James Christopher Sheppard

The editor of blogzine Eyewear, Todd Swift, emailed me today to inform me that my review of the latest Incubus album, If Not Now, When? has become his most read post ever, with over 4,400 views over the past month. The same post has also generated over 1,000 views here on my personal website. So basically I would like to say a huge thank you to everyone for taking the time to read what I write here- knowing so many people are investing their time in reading my pieces fills me with satisfaction and urges me to carry on.

I’d also like to take this moment to add that I am currently seeking any writing opportunities out there. I am eager to published in as many different publications and blogzines as possible. Also, if anyone has any writing/journalistic vacancies in London- or anywhere, and would like to approach me, please contact me at jamessheppard@hotmail.co.uk

Thanks again everyone, please continue to check back, enjoy and comment.


Reviewed by James Christopher Sheppard

Having just completed her massive ‘Aphrodite- Les Folies World Tour’, Kylie Minogue is releasing a stunning boxset of all five of her studio albums released since her career-changing monster hit ‘Spinning Around’ in 2000. Better than any Greatest Hits from the past ten years could be, this literally includes every track released by Minogue since signing with Parlophone in 1999.

Light Years

Including her first Top Ten hit since 1994’s ‘Confide in Me’, Light Years catapulted Minogue back to the forefront of pop. Following almost eight years of musical experimentation and collaborations with Nick Cave and Manic Street Preachers, Minogue put her shiny stilettos and hot pants back on and produced the most unashamedly camp disco album of her entire career. ‘Spinning Around’ hit number 1 in the UK and Australia and similar success followed for singles ‘On a Night Like This’, ‘Kids’ with Robbie Williams and ‘Please Stay’. The album also features live favourite ‘Light Years’, and possibly the campest song ever recorded, ‘Your Disco Needs You’.

Fever

‘La la la, la la la la la…’ Fever was released in 2001 and saw Minogue not only top the charts in five countries and go multi-platinum, but also had top five success in the USA. The classic single ‘Can’t Get You Out of My Head’ now has iconic status and remains one of the biggest selling singles in the world over the past decade. ‘Come Into My World’ won a Grammy and ‘In Your Eyes’ and ‘Love at First Sight’ were also phenomenally huge successes. Following Fever, Kylie was considered an international superstar. Other stand out tracks from the album include ‘Love Affair’, ‘Burning Up’, ‘Fragile’, ‘More More More’, ‘Give it to Me’ and… basically the entire album is flawless electro pop.

Body Language

Never one to unleash the expected, Kylie’s Body Language stunned many, as it did not follow in Fever’s footsteps, or any other record’s footsteps really. The overall sound of the album is the most urban that Kylie has ever sounded, featuring a more American R&B sound than the electro pop people had come to expect from Minogue. While the album scored Minogue her seventh UK #1 with the understated electronic hit ‘Slow’, the rest of the album had a sound of being directed towards an American audience. As a result, the album underperformed in most territories as it just didn’t quite sound like authentic Kylie. Saying that, ‘Red Blooded Women’ and ‘Loving Days’ are treasures that would doubtfully exist without the rest of the album.

X

Mid ‘Showgirl Tour’ in 2005, Kylie was forced to dramatically cancel the remainder of the tour following her cancer diagnosis. For over a year, the world waited to hear of Kylie’s recovery, and finally rejoiced in late 2006 when she hit the road to complete the tour. Four years after the release of Body Language came X, with first single, ‘2 Hearts’ hitting #4 in the UK and #1 in Australia. X is packed full of electro club tracks, like ‘Like a Drug’, ‘In My Arms’, ‘The One’, ‘Wow’ and ‘Speakerphone’. While some criticized the comeback album as lacking the heartache that could have been expected from a post-illness album, the collection was a success and hugely popular with fans as it demonstrates what Kylie does best- electro dance pop.

Read more at Eyewear


It’s a another mediocre Monday evening in July, you’ve just finished your seventh work day in a row and you say ‘let’s go to the cinema’ for something to do. You’ve already seen all the big ones filling however many screens nationwide- Transformers, The Green Lantern, Bridesmaids and Bad Teacher, so you check out Larry Crowne– the new Tom Hanks and Julia Roberts comedy/drama flick that looks fairly charming from the trailer, but nothing spectacular. In fact, that assumption isn’t too far from the truth, but the film may have just the right amount of charm to keep your mind far away from your own reality.

Tom Hanks, who also directed the movie, plays Crowne who has served twenty years in the Navy and moved on to a career in retail management. He’s a sweet guy and performs his job with care and commitment, but is let go due to his lack of college background. The movie goes on to tell the story of Crowne’s journey from unsuspecting victim, to informed and freshly educated college graduate, with a whole new lust for life, and particularly his college professor- Miss Tainot, played by Julia Roberts.

This is not a harsh drama or an outrageous comedy, but it’s subtlety is where it succeeds in being a plausible and enjoyable movie for those of us that don’t find what I call ‘stupid comdies’ funny. By stupid comedy, I mean Scary Movie or even Bad Teacher. Larry Crowne is smart and endearing, with very relatable and honest performances from both Roberts and Hanks, as well as accomplished appearances from a host of other characters, including The L Word‘s Pam Grier. The movie serves as a solid reminder that our lives are what we make them. Fans of Sandra Bullock‘s 28 Days will love this movie. With so many massive budget movies out there at the moment not quite cutting it, like The Green Lantern, it’s refreshing to see a decent movie that requires no more than a stellar script and a strong cast. Larry Crowne is definitely the strongest movie at UK cinemas right now, until Friday anyway, when a movie about a certain wizard will be upon us.

8/10


I’m going to the Wireless festival in Hyde Park on Sunday so thought I’d best get listening to some of the bands I am less familiar with that are playing so I don’t miss out on anything. One of the bands I am surprised at how decent their music is, is The Pretty Reckless. Pretty certainly being an appropriate name, as their lead singer, Taylor Momsen, is an actress and model; you may know her from Gossip Girl

Having never seen an episode of Gossip Girl and having never heard of Taylor, I am judging what I am hearing purely on that- what I am hearing. Yeah, their music is nothing new- it’s melodic rock music with a female singer, but it’s done very well indeed, and there isn’t a lot of new artists emerging lately doing it as well as they are. Through checking out some forums and last.fm I wasn’t surprised to see the lack of respect the band has, from learning who Taylor is, and it seems to be because she is hot. If she was singing electronic music and trying to be Ke$ha, surely that would go in her favour? How often have you heard people complain that Lady Gaga isn’t attractive or has a dick (not my opinion, I might add)? If she was a rock star, you can bet no-one would say a word. No-one ever moans about the attractiveness of Courtney Love or Alanis Morissette– and they aren’t models. It seems then, that pop seems reserved only for the beautiful and rock only for the un-model-worthy folk. What a crock of shit. Why can’t people just judge what they hear and not what they see or use what the singer did before against them? Fightstar are a brilliant example of how fucking awesome a band can be when their lead singer began in the poppiest of bands. Yes, Charlie Simpson was of course, in Busted.

Judge The Pretty Reckless for yourselves, here is the video for ‘Miss Nothing’